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[89]“Mother, do come and look at the procession,” Edith called cautiously from the trellises, where she was slyly watching.,

Then Moses commenced. He ran up and down a chromatic scale of puffs and groans and sniffles, ending with a cadence that sounded like, “Gosh dern!”,

A small stove had been set up in the improvised kitchen, and a big boiler filled with water. This was now boiling furiously and the ladies proceeded to make the coffee. Cakes and pies were cut, cups and saucers were piled in one huge basket and sandwiches in another.,

Now in the silence and fragrance his tightened springs began to relax. Presently he found himself in a dream of possibilities of the island,—Ellen’s Isle, he always called it; of what might be done with the smooth places in the river, the hills, Sunol Creek not far away, boiling and tumbling in boisterous beauty; of hidden nooks, piled boulders, and tiny meadows, vine-enclosed and flower-fragrant.

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Mrs. Wopp surmised from the dejected appearance of the young rancher, coupled with the smiles over the footlights which she had observed with rising wrath, that trouble was brewing, and she whispered audibly to herself, “A musician’s orl right on a pianner stool, but when it comes to gittin’ up in the mornin’ an’ choppin’ wood to bile the kettle give me a farmer.” Her cogitations became louder. “I s’pose he thinks cos he has a percession of carpital letters arter his name he can git anyone fer the arskin’. When he smiled so at our Miss Gordon I could of slain him with the jawrbone of an arss.” In her championship of Howard’s interests, Mrs. Wopp became an ardent villifier of the pianist and she administered an oral castigation with feminine vigor.,

Mrs. Bennett bade him good-night, and left him to the stars and the quiet night. Her heart was still sore for the little boy of the past, yet a strange joy came to her; the thoughtful, observant, earnest man had heralded his coming. She should be very proud of him.,

“Alone?”,

Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother.